A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Sol LewittRead
Artists teach critics what to think. Critics repeat what the artists teach them.
Interpretation
Artists influence critics' perspectives, while critics echo the artists' insights.
This quote highlights the dynamic relationship between artists and critics, suggesting that artists play a pivotal role in shaping the thoughts and opinions of critics. Critics, in turn, often reflect and disseminate the ideas presented by artists, creating a continuous cycle of teaching and learning that emphasizes the influence of creative expression on critical evaluation.
In practice
In a discussion panel on contemporary art, one might cite this quote to emphasize the interdependence between artists and art critics.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
Buying books was a way anyone could acquire a work of art for very little.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
When I was a mailman, writing songs was my escape from the regular world, and now writing songs is my job. And I've always been one to avoid my job.
Singing brings out in me what I can't normally bring out in everyday life. It's an incredible feeling to be able to bare your soul to people you've never met in a way that can make them understand so clearly what you mean. That's what I love most about singing ... it becomes my truest form of communication.
Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
You try to be as original as you can be without thinking about statistics. You just go from the soul and from the heart.
Each flitch, each board, each plank can have only one ideal use. The woodworker, applying a thousand skills, must find that ideal use and then shape the wood to realize its true potential.
Fashion you can buy, but style you possess. The key to style is learning who you are, which takes years. Thereβs no how-to road map to style. Itβs about self-expression and, above all, attitude.
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