A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Sol LewittRead
Artists teach critics what to think. Critics repeat what the artists teach them.
Interpretation
Artists influence critics' perspectives, while critics echo the artists' insights.
This quote highlights the dynamic relationship between artists and critics, suggesting that artists play a pivotal role in shaping the thoughts and opinions of critics. Critics, in turn, often reflect and disseminate the ideas presented by artists, creating a continuous cycle of teaching and learning that emphasizes the influence of creative expression on critical evaluation.
In practice
In a discussion panel on contemporary art, one might cite this quote to emphasize the interdependence between artists and art critics.
A work of art may be understood as a conductor from the artist's mind to the viewer's. But it may never reach the viewer, or it may never leave the artist's mind.
Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
Buying books was a way anyone could acquire a work of art for very little.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.
Poiret made clothes for individual customers, but I wouldn't like to make a dress just for its own sake.
The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house.
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