I find in all the artists that I admire most a disturbing element, a distortion, giving evidence of a struggle . . . . In great art, this conflict is hidden, it is unresolved. All that is bursting with energy is disturbing - not perfect.
Interpretation
Great art reflects the inner struggles of the artist, revealing energy and conflict rather than perfection.
Henry Moore's quote highlights the essence of true artistry, suggesting that the most admired artists carry a sense of struggle and distortion within their work. This inherent conflict, often hidden beneath the surface of their creations, adds energy and depth, illustrating that perfection is not the goal but rather the expression of human experience and emotion.
In practice
When discussing the beauty of abstract expressionism at an art gallery.
Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.
Between beauty of expression and power of expression there is a difference of function. The first aims at pleasing the senses, the second has a spiritual vitality which for me is more moving and goes deeper than the senses.
A work can have in it a pent-up energy, an intense life of its own, independent of the subject it may represent.
I have always liked drawing, when you draw you see things more intensely.
The secret of life is to have a task, something you devote your entire life to, something you bring everything to, every minute of the day for the rest of your life. And the most important thing is, it must be something you cannot possibly do.
All art is an abstraction to some degree.
Poems not only demand patience, they demand a kind of surrender. You must give yourself up to them. This is the real food for a poet: other poems, not meat loaf.
Every animator is really an actor performing in slow motion, living the character a drawing at a time.
I don't have a clear biography of my own that I could recount in an interesting way. I'm made up of the characters that I pulled out of my head, that I invented.
Music is the only religion that delivers the goods.
As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.
What can art really do in the face of atrocity?
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