Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring.
Interpretation
The quote expresses the natural beauty and inspiration that can be found in working with art outdoors compared to a studio setting.
Henry Moore emphasizes the value of creating art in natural surroundings, suggesting that the outdoor environment enhances the artistic process and the presence of large sculptures in open spaces can evoke a sense of inspiration and harmony with nature. He conveys that the organic interaction between the artwork and its environment leads to an aesthetic that feels 'right' and is deeply connected to the landscape.
In practice
This quote could be shared during an art exhibition to highlight the significance of outdoor art.
I find in all the artists that I admire most a disturbing element, a distortion, giving evidence of a struggle . . . . In great art, this conflict is hidden, it is unresolved. All that is bursting with energy is disturbing - not perfect.
Between beauty of expression and power of expression there is a difference of function. The first aims at pleasing the senses, the second has a spiritual vitality which for me is more moving and goes deeper than the senses.
A work can have in it a pent-up energy, an intense life of its own, independent of the subject it may represent.
I have always liked drawing, when you draw you see things more intensely.
The secret of life is to have a task, something you devote your entire life to, something you bring everything to, every minute of the day for the rest of your life. And the most important thing is, it must be something you cannot possibly do.
All art is an abstraction to some degree.
Hang yourself, poet, in your own words. _x000D_ Otherwise, you are dead.
A good composer does not imitate; he steals.
Aesthetics has become too important to be left to the aesthetes. To succeed, hard-nosed engineers, real estate developers, and MBAs must take aesthetic communication, and aesthetic pleasure, seriously. We, their customers, demand it.
In literature imitations do not imitate.
The landscape thinks itself in me and I am its consciousness.
Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course.
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