What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
George Bernard ShawRead
Which painting in the National Gallery would I save if there was a fire? The one nearest the door of course.
Interpretation
Prioritizing what is most accessible and practical in a crisis often reveals our true values.
This quote by George Bernard Shaw humorously highlights the instinctual human behavior of choosing the most convenient option in urgent situations. It suggests that in moments of panic or urgency, the practicality of our choices can sometimes overshadow deeper emotional attachments, revealing a more pragmatic side to our decision-making.
In practice
During a discussion on the importance of having clear priorities in emergencies.
What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
Marriage is good enough for the lower classes: they have facilities for desertion that are denied to us.
Forgive him, for he believes that the customs of his tribe are the laws of nature!
Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is?
Treat a friend as a person who may someday become your enemy; an enemy as a person who may someday become your friend.
The happiness of credulity is a cheap and dangerous quality.
They say that to be a writer you must first have an unhappy childhood. I don't know if unhappiness is necessary, but I think maybe some children who have suffered a loss too great for words grow up into writers who are always trying to find those words, trying to find a meaning for the way they have lived
A work is perfectly finished only when nothing can be added to it and nothing taken away.
You want to be a writer, don't know how or when? Find a quiet place, use a humble pen.
With Bound, we wanted to pull at conventions, because you begin to wonder, Why do these stereotypes exist? Where do they come from? You use that as the subtext.
My plays are ultimately about love, honor, duty, betrayal.
If politicians can't do it, I want to do it. We have to do it. Artists, put it in paintings. Poets, put it in poems, novels. That's what we have to do. And I think it's so important to save the world.
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