Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
I have said that each aspect of the novel demands a different quality of the reader. Well, the prophetic aspect demands two qualities: humility and the suspension of the sense of humour.
Interpretation
Reading novels requires an open mind and humility, especially when interpreting deeper aspects of the narrative.
E. M. Forster highlights that engaging with the prophetic aspects of a novel necessitates specific qualities from the reader: humility and the ability to set aside humor. Readers must approach these profound themes with respect and an earnest desire to understand, rather than with irreverence or a dismissive attitude. This reflects the idea that true understanding of literature, especially its deeper messages, often requires a serious and respectful mindset.
In practice
In a book club discussion about a thought-provoking novel.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
Some Native American writers enjoy being called Native American writers.
A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.
I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
I belong to Russian literature, but I am an American citizen, and I think it's the best possible combination.
Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.
The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice.
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