the association of children and fairy-stories is an accident of our domestic history. Fairy-stories have in the modern lettered world been relegated to the “nursery,” as shabby or old-fashioned furniture is relegated to the play-room, primarily because the adults do not want it, and do not mind if it is misused.
Interpretation
Children's connection to fairy tales reflects societal attitudes towards old stories, often underestimated by adults.
In this quote, J. R. R. Tolkien discusses how fairy tales have been dismissed by adults as mere children's stories, much like outdated furniture cast aside in a playroom. He emphasizes that this relegation is a result of adults' indifference to these narratives, failing to recognize their value and the depth they provide, which goes beyond mere entertainment for children. It suggests a loss of appreciation for storytelling in its true form, weakened by the perception that they are only meant for the young.
In practice
During a literary discussion on the importance of storytelling for all ages.
All the same, I should like it all plain and clear," said he obstinately, putting on his business manner (usually reserved for people who tried to borrow money off him), and doing his best to appear wise and prudent and professional and live up to Gandalf's recommendation. "Also I should like to know about risks, out-of-pocket expenses, time required and remuneration, and so forth"--by which he meant: "What am I going to get out of it ? and am I going to come back alive?
Go not to the Elves for counsel,_x000D_ for they will say both no and yes._x000D_ Elves seldom give unguarded advice,_x000D_ for advice is a dangerous gift,_x000D_ even from the wise to the wise,_x000D_ and all courses may run ill.
What did I tell you, Mr. Pippin?' said Sam, sheathing his sword. 'Wolves won't get him. That was an eye-opener, and no mistake! Nearly singed the hair off my head!
Under the Mountain dark and tall The King has come unto his hall! His foe is dead, the Worm of Dread, And ever so his foes shall fall. The sword is sharp, the spear is long, The arrow swift, the Gate is strong; The heart is bold that looks on gold; The dwarves no more shall suffer wrong. The dwarves of yore made mighty spells, While hammers fells like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. -from The Hobbit (Dwarves Battle Song)
The chief purpose of life, for any of us, is to increase according to our capacity our knowledge of God by all means we have, and to be moved by it to praise and thanks.
Alive without breath, As cold as death; Never thirsty, ever drinking, All in mail never clinking.
We need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us.
Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
All novels are fantasies. Some are more honest about it.
Death of the Father would deprive literature of many of its pleasures. If there is no longer a Father, why tell stories? Doesn't every narrative lead back to Oedipus? Isn't storytelling always a way of searching for one's origin, speaking one's conflicts with the Law, entering into the dialectic of tenderness and hatred?
My experience is that prose usually equals duty - last minute, overdue-deadline stuff or a panic lecture to be written.
Walter Scott has no business to write novels, especially good ones. It is not fair. He has fame and profit enough as a poet, and should not be taking the bread out of the mouths of other people.
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