The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
Interpretation
What this quote means
The quote discusses how modern novels explore character psychology more deeply than ancient legends.
Umberto Eco reflects on the differences between modern and ancient literature, suggesting that while contemporary novels often delve into the intricate psychology of their characters, ancient legends presented characters in a more static and simplistic manner. He acknowledges that figures like Oedipus can be analyzed psychologically by later thinkers, yet in the original narratives, these characters exist in a more defined and unsettling state, lacking the complexity that modern storytelling typically embraces.
Themes
In practice
Example use cases
In a discussion about the evolution of storytelling at a literature conference.
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All quotes →I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
But why do some people support [the heretics]?" "Because it serves their purposes, which concern the faith rarely, and more often the conquest of power." "Is that why the church of Rome accuses all its adversaries of heresy?" "That is why, and that is also why it recognizes as orthodoxy any heresy it can bring back under its own control or must accept because the heresy has become too strong.
You die, but most of what you have accumulated will not be lost; you are leaving a message in a bottle.
"Then we are living in a place abandoned by God," I said, disheartened. "Have you found any places where God would have felt at home?" William asked me, looking down from his great height.
The lunatic is all idée fixe, and whatever he comes across confirms his lunacy. You can tell him by the liberties he takes with common sense, by his flashes of inspiration, and by the fact that sooner or later he brings up the Templars.
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Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
The problem with most genre fantasy is that it's not nearly fantastic enough. It's escapist, but it can't escape.
In literature the ambition of the novice is to acquire the literary language; the struggle of the adept is to get rid of it.
Every great literature has always been allegorical - allegorical of some view of the whole universe. The 'Iliad' is only great because all life is a battle, the 'Odyssey' because all life is a journey, the Book of Job because all life is a riddle.
...in other words, all I want to be is the Jane Austen of south Alabama Interview - March 1964