The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity.
I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
Interpretation
What this quote means
The quote suggests that early attempts at poetry are often unrefined, much like a phase of exploration, and that good poets eventually recognize the need to discard their earlier work.
Umberto Eco uses a provocative analogy to describe the process of growing as a poet. At a youthful age, creating poetry may feel self-indulgent and exploratory, akin to masturbation. As one matures, the understanding of quality and significance in art develops, leading to the realization that much of one's early work may not hold value, prompting good poets to discard it while bad poets, lacking this insight, may choose to publish their inferior works instead. Eco implies a sense of relief in having recognized this early on and moved past it.
Themes
In practice
Example use cases
Discussing the evolution of an artist's work during a workshop.
More from Umberto Eco
All quotes →But why do some people support [the heretics]?" "Because it serves their purposes, which concern the faith rarely, and more often the conquest of power." "Is that why the church of Rome accuses all its adversaries of heresy?" "That is why, and that is also why it recognizes as orthodoxy any heresy it can bring back under its own control or must accept because the heresy has become too strong.
You die, but most of what you have accumulated will not be lost; you are leaving a message in a bottle.
"Then we are living in a place abandoned by God," I said, disheartened. "Have you found any places where God would have felt at home?" William asked me, looking down from his great height.
The lunatic is all idée fixe, and whatever he comes across confirms his lunacy. You can tell him by the liberties he takes with common sense, by his flashes of inspiration, and by the fact that sooner or later he brings up the Templars.
The thought that all experience will be lost at the moment of my death makes me feel pain and fear... What a waste, decades spent building up experience, only to throw it all away... We remedy this sadness by working. For example, by writing, painting, or building cities.
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I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
If I create from the heart, nearly everything works; if from the head, almost nothing.
There were some advantages to being a woman photographer. I think women have more empathy with the subject.
You adapt yourself to the contents of the paintbox.
I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something.