I'm here to make good pictures. If I don't see it, I won't touch it. I may not make a good picture, but I still gotta believe in it!
William WylerRead
The slightest thing can ruin a scene, but you must be willing to take chances.
Interpretation
Artistic endeavors require boldness despite the risk of mistakes that can detract from the work.
William Wyler emphasizes the delicate balance in the creative process where minor missteps can spoil artistic expressions. However, the quote also champions the necessity of risk-taking in creativity, suggesting that without the courage to venture into the unknown, one may never achieve true artistic brilliance.
In practice
This quote can be shared during a creative workshop to encourage participants to take creative risks.
I'm here to make good pictures. If I don't see it, I won't touch it. I may not make a good picture, but I still gotta believe in it!
A director must push his actors to the utmost limit to get everything possible out of each scene - without being corny or sentimental or going overboard.
Everything a director does must help the story and the performances. Otherwise, it is useless.
Since the departure of good old-fashioned entertainers the re-emergence of somebody who wants to be an entertainer has unfortunately become a synonym for camp. I don't think I'm camper than any other person who felt at home on stage, and felt more at home on stage than he did offstage.
Be regular and orderly in your life, so that you may be violent and original in your work.
It is only by loving nature, and going to her for everything, that good work can be done; but then we must look to her for the materials for pictures, not for pictures themselves. It is nature filtered through the mind and fingers of the artist that produces art, and the quality of the pictures depends on the fineness of that filter.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
Subscribe for the occasional hand-picked quote. No noise.