I'm here to make good pictures. If I don't see it, I won't touch it. I may not make a good picture, but I still gotta believe in it!
William WylerRead
Everything a director does must help the story and the performances. Otherwise, it is useless.
Interpretation
A director's choices should always serve the narrative and the actors' performances, or they lack purpose.
This quote emphasizes the crucial role of a director in filmmaking, stating that every decision made in the direction of a film should contribute meaningfully to the story being told and to the actors' portrayal of their characters. If the choices do not enhance these elements, they are rendered pointless, highlighting the importance of intentionality in creative leadership.
In practice
In a film class, discussing the importance of a director's vision.
I'm here to make good pictures. If I don't see it, I won't touch it. I may not make a good picture, but I still gotta believe in it!
The slightest thing can ruin a scene, but you must be willing to take chances.
A director must push his actors to the utmost limit to get everything possible out of each scene - without being corny or sentimental or going overboard.
…words have been all my life, all my life--this need is like the Spider's need who carries before her a huge Burden of Silk which she must spin out--the silk is her life, her home, her safety--her food and drink too--and if it is attacked or pulled down, why, what can she do but make more, spin afresh, design anew….
Sometimes you stumble across a few chords that put you in a reflective place.
The Earth is Art, The Photographer is only a Witness.
The study of acting consists in the main of getting out of one’s own way, and in learning to deal with uncertainty and being comfortable being uncomfortable.
It is comforting that travel should have an architecture, and that it is possible to contribute a few stones to it, although the traveller is less like one who constructs landscapes -- for that is a sedentary task -- than like one who destroys them. . . . But even destruction is a form of architecture, a deconstruction that follows certain rules and calculations, an art of disassembling and reassembling, or of creating another and different order.
There's racist casting, and there is normal casting. Normal casting, to me, is a process that strives for representation and, in many cases, strives to simply portray the world as it actually is instead of as falsely non-inclusive. And sadly, sometimes that involves removing the whitewash that exists on history.
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