As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
Interpretation
Laughter creates a sense of vulnerability that allows people to connect emotionally.
Phoebe Waller-Bridge highlights the deep emotional connection that occurs when an audience laughs with a character. In those moments of laughter, individuals lower their defenses, revealing their true selves, which fosters a sense of openness and vulnerability that enhances empathy and connection.
In practice
In a comedy club, a comedian might use this quote to illustrate the bond formed with the audience.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You don't often see a cross section of female characters interacting with each other at the top of a chain.
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
I feel liberated being around women who are liberated.
Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot. BY ORDER OF THE AUTHOR per G.G., CHIEF OF ORDNANCE
Trying to hit Sandy Koufax was like trying to drink coffee with a fork.
I quickly laugh at everything for fear of having to cry.
There were very few women comics when I started out doing stand-up. But I always saw that as a great advantage.
Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience.
The party and the Krikkit warship looked, in their writhings, a little like two ducks, one of which is trying to make a third duck inside the second duck, whilst the second duck is trying very hard to explain that it doesn't feel ready for a third duck right now, is uncertain that it would want any putative third duck anyway, and certainly not whilst it, the second duck, was busy flying.
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