As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
You don't often see a cross section of female characters interacting with each other at the top of a chain.
Interpretation
The quote highlights the rarity of significant female interactions in powerful roles.
Phoebe Waller-Bridge points out the uncommon representation of female characters who interact meaningfully with each other while holding positions of power. This observation sheds light on the need for more stories that explore the complexities of female relationships in influential contexts, emphasizing both the potential for collaboration and competition among women in high-stakes environments.
In practice
During a panel discussion about female empowerment in film, this quote could be used to highlight the importance of authentic female interactions.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
I feel liberated being around women who are liberated.
I was born of heterosexual parents. I was taught by heterosexual teachers in a fiercely heterosexual society. Television ads and newspaper ads β fiercely heterosexual. A society that puts down homosexuality. And why am I a homosexual if I'm affected by role models? I should have been a heterosexual. And no offense meant, but if teachers are going to affect you as role models, there'd be a lot of nuns running around the streets today.
Brother, hello and good-bye. Frater, ave atque vale
What editors are obliged to appear to say that men want from women is actually what their advertisers want from women.
All identity labels are umbrella terms to some degree, but this term 'bisexual' is not only serviceable, but it is sufficient. And yes, it brings together a bunch of people who are maybe shades different from one another. And maybe that's the beauty of labels: that they force you to be with other people and see the difference.
We all have special numbers in our lives, and 4 is that for me. It's the day I was born. My mother's birthday, and a lot of my friends' birthdays, are on the fourth; April 4 is my wedding date.
Daddy felt that this country was hopeless in its treatment of Negroes. So he became a refugee from America. He bought a house in Polanco, a suburb of Mexico City, and we were planning to move there when he died. I was fourteen at the time.
Subscribe for the occasional hand-picked quote. No noise.