I just want people to hold themselves to account about what they think more, because I strongly believe that the way to live a moral life is to not allow yourself to have beliefs which are easy but which don't make sense.
Tim MinchinRead
It's about the audience - if they laugh and clap, you feed off that, and if they don't, you doubt everything you've ever done.
Interpretation
The quote emphasizes the importance of audience feedback in performance art, highlighting how it can impact a performer’s confidence and self-perception.
Tim Minchin's quote illustrates the deep connection between performers and their audience, suggesting that the response of the audience can validate or undermine a performer's artistic efforts. The joy of laughter and applause reinforces a sense of accomplishment, while silence or lack of engagement can lead to self-doubt and questioning of one's abilities, showcasing the vulnerability inherent in artistic expression.
In practice
A stand-up comedian sharing the quote during a live performance to connect with the audience.
I just want people to hold themselves to account about what they think more, because I strongly believe that the way to live a moral life is to not allow yourself to have beliefs which are easy but which don't make sense.
Respect people with less power then you. I don’t care if you’re the most powerful cat in the room, I will judge you on how you treat the least powerful. So there.
Isn’t this enough? Just this world? Just this beautiful, complex wonderfully unfathomable world? How does it so fail to hold our attention that we have to diminish it with the invention of cheap, man-made myths and monsters?
Throughout history, every mystery ever solved has turned out to be NOT magic.
To dream of the person you would like to be is to waste the person you are.
It was - I'm very didactic in my lyrics, but I've always been drawn to mock my own emotions, and so I write this very lyric-heavy stuff, which suits theater and comedy much more than it suits pop.
In my limited experience, shows are like children. You can teach them manners and dress them in little sailor suits, but in the end, they're going to be who they're going to be.
Good design keeps the user happy, the manufacturer in the black and the aesthete unoffended.
The avant-garde theater is fun; it is free-swinging, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence - putting your standard responses aside, for they do not apply - if you will approach it on its own terms, I think you will be in for a liberating surprise.
There is a kind of classlessness in the theater. The rehearsal pianist, the head carpenter, the stage manager, the star of the show-all are family.
There is a sensuality about fabric. I think all materials should be inviting when they touch the skin. When I watch children stroking their mother's clothes, I feel that I have succeeded.
I put steam on the table by being an actor. That is how I live. The longer I live, the more expensive it becomes. So I do my work. And I can't be immensely picky. How many beautiful scripts come in one's lifetime? I have had more than anybody, practically.
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