Sweet is the voice of a sister in the season of sorrow.
I think that an author who speaks about his own books is almost as bad as a mother who talks about her own children.
Interpretation
What this quote means
An author discussing their own work is often seen as self-serving, much like a mother overly praising her children.
In this quote, Benjamin Disraeli suggests that when authors promote their own books, it can come off as biased and insincere, similar to a mother who excessively boasts about her children's accomplishments. This implies that a level of humility and restraint is more admirable, as it allows the quality of the work to speak for itself rather than relying on the author's personal endorsement, which may not be taken seriously by others.
Themes
In practice
Example use cases
In a discussion about the importance of objective criticism in literature, this quote can be used to emphasize the need for authors to let their works speak for themselves.
More from Benjamin Disraeli
All quotes βBut what minutes! Count them by sensation, and not by calendars, and each moment is a day.
Grief is the agony of an instant. The indulgence of grief the blunder of a life.
Action may not always bring happiness; but there is no happiness without action.
Yes, I am a Jew and when the ancestors of the right honorable gentleman were brutal savages in an unknown island, mine were priests in the temple of Solomon.
The practice of politics in the East may be defined by one word: dissimulation.
Similar quotes
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.
I know I'm a rare person, a trained scientist who writes fiction, because so few contemporary novelists engage with science.
Sentences must stir in a book like leaves in a forest, each distinct from each despite their resemblance.
'No Sweetness Here' is the kind of old-fashioned social realism I have always been drawn to in fiction, and it does what I think all good literature should: It entertains you.
I suppose books mean more than people to me anyway