It is very bad for (an artist) to talk about how he (creates). It is not the (artist's) province to explain or to run guided tours through the more difficult country of his work. It's none of their business that you had to learn. Let them think you were born that way.
Interpretation
Artists should not feel compelled to explain their creative process; it's a form of art in itself.
This quote emphasizes the idea that artists should preserve the mystique of their creative process. By revealing too much about how they create their work, they risk diminishing the experience for their audience. Hemingway suggests that a certain enigma is vital in art, allowing the audience to interpret the work without the burden of explanation from the creator, thus maintaining the magic and allure of artistry.
In practice
During a lecture about artistic expression, one might quote Hemingway to emphasize the importance of letting art speak for itself.
He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on.
How did you go bankrupt?" Two ways. Gradually, then suddenly.
When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
Wine is the most civilized thing in the world.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
A museum has to renew its collection to be alive, but that does not mean we give on important old works.
The artistic life is a long, lovely suicide.
Like books and black lives, albums still matter.
Writing fiction is an inherently political activity because people-even imaginary ones-do not live in vacuums... From Twilight to Romeo and Juliet to The Little Mermaid, no work of the imagination is truly apolitical, because the world and our hopes for it are always part of our stories.
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
What the poet is searching for_x000D_ is not the fundamental I_x000D_ but the deep you.
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