As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
I love a ballad in print o' life, for then we are sure they are true.
Interpretation
Shakespeare appreciates the authenticity of life captured in written ballads.
In this quote, Shakespeare reflects on the power of written ballads to convey genuine truths about life. He values the way these narratives, when captured in print, provide a reliable and authentic representation of human experiences and emotions, allowing readers to connect deeply with the essence of life.
In practice
During a poetry reading, the host could use this quote to highlight the significance of written works in conveying emotional truths.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
I work very deliberately, with a plan. But sometimes I come to a point that I planned as the end and it needs softening. Ending a novel is almost like putting a child to sleep - it can't be done abruptly.
I like fashion to go down to the street, but I can't accept that it should originate there.
What art was to the ancient world, Science is to the modern; the distinctive faculty. In the minds of men, the useful has succeeded to the beautiful.
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
Musicals are β particularly musicals β plays also, but musicals particularly areβ¦ the last collaborator is your audience, and so youβve got to wait βtil the last collaborator comes in before you can complete the collaboration.
When I write, what I long for is not more realism or fiction but more courage. That's what I always find myself short on and what I have to struggle to achieve in order that the work might live.
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