You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world.
Kerry James MarshallRead
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you can produce beauty in the context of a figure that has that kind of velvety blackness. It can be done.
Interpretation
This quote reflects on the societal bias towards skin color and emphasizes the beauty of darker skin tones.
Kerry James Marshall's quote addresses the pervasive issue of colorism, highlighting the societal preference for lighter skin while acknowledging the marginalization faced by individuals with darker skin. Through his art, he aims to challenge these perceptions by asserting that beauty exists in all shades, particularly in the richness of deeper skin tones, thereby encouraging a broader appreciation of diversity in beauty.
In practice
In a discussion on colorism in art, this quote can be used to highlight how artists like Kerry James Marshall challenge societal norms.
You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world.
In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was always weak, powerless, subjugated. If you see these images all the time, they become commonplace, and they no longer become a spectacular or sensational thing.
My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures.
When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.
The history of political movements in the African diaspora is that the solution to the problem is never in the hands of people who are advancing the movement. I try and operate on my own terms.
Nursing is an art: and if it is to be made an art, it requires an exclusive devotion as hard a preparation as any painter's or sculptor's work; for what is the having to do with dead canvas or dead marble, compared with having to do with the living body, the temple of God's spirit? It is one of the Fine Arts: I had almost said, the finest of Fine Arts.
Pop art is a way of liking things.
Art has a will of its own. It has nothing to do with the taste of the moment or what's expected of you. That's a formula for dead art, or fashionable art.
Rewriting isn't just about dialogue; it's the order of the scenes, how you finish a scene, how you get into a scene.
Oprah Winfrey represents the most ingenious and creative expression of black spiritual genius in the public mainstream that we've had in quite a long time, if ever.
I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form.
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