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If you think about the way we experience art, the paradigm is still Western European. If I go to the National Gallery, what am I going to see the most of? I'm not going to see a whole lot of black figures in pictures.
Kerry James Marshall
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Interpretation

What this quote means

The experience of art is largely influenced by Western European perspectives, often overlooking diverse representation.

Kerry James Marshall highlights the dominance of Western European art traditions and how this affects our overall experience and understanding of art. He points out that the historical representation in prominent galleries often lacks diversity, particularly the absence of black figures, which reflects broader issues of representation and inclusivity in the art world.

Themes

ArtRepresentationDiversityCultureGallery

In practice

Example use cases

Discussing the need for more diverse artworks in an academic lecture.

More from Kerry James Marshall

You have to recover the capacity to imagine yourself as an ideal and figure out how to project that into the world.
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In Western Catholicism, darkness was evil. In the colonial and imperial context, dark skin was always weak, powerless, subjugated. If you see these images all the time, they become commonplace, and they no longer become a spectacular or sensational thing.
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My introduction to art history was like everybody else's. You see an art history book that has works by Rembrandt and Leonardo da Vinci and Michelangelo. Yes, these things are great. But I don't see a reflection of myself in any of these things I'm looking at.
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When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.
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The history of political movements in the African diaspora is that the solution to the problem is never in the hands of people who are advancing the movement. I try and operate on my own terms.
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Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential.
Kerry James MarshallRead

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