Isn’t every human being both a scientist and an artist; and in writing of human experience, isn’t there a good deal to be said for recognizing that fact and for using both methods?
Interpretation
Every person possesses both scientific and artistic qualities, and it's valuable to recognize and utilize both in understanding human experience.
James Agee suggests that human beings are inherently both scientists and artists, implying that we possess the logical reasoning and exploratory instincts of a scientist as well as the creativity and expressiveness of an artist. He advocates for the importance of acknowledging and harnessing these dual capacities in our exploration and representation of human experiences, indicating that a more holistic understanding arises from combining both rational inquiry and artistic expression.
In practice
In a speech about creativity in education, one might quote Agee to emphasize the importance of nurturing both scientific and artistic skills in students.
He used this great, sad, motionless face to suggest various related things: a one-track mind near the track's end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive . . .
And no matter what, there's not one thing in this world *or* the next that we can do or hope or guess at or wish or pray that can change it or help it one iota. Because whatever is, is. That's all. And all there is now is to be ready for it, strong enough for it, whatever it may be. That's all. That's all that matters. It's all that matters because it's all that's possible.
In every child who is born, no matter what circumstances, and of no matter what parents, the potentiality of the human race is born again: and in him, too, once more, and of each of us, our terrific responsibility toward human life; toward the utmost idea of goodness, of the horror of terror, and of God.
It is a peculiar part of the good photographer's adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it.
For in the immediate world, everything is to be discerned, for him who can discern it, and central and simply, without either dissection into science, or digestion into art, but with the whole of consciousness, seeking to perceive it as it stands: so that the aspect of a street in sunlight can roar in the heart of itself as a symphony, perhaps as no symphony can: and all of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiation of what is.
By some chance, here they are, all on this earth; and who shall ever tell the sorrow of being on this earth, lying, on quilts, on the grass in a summer evening, among the sounds of the night. May God bless my people, my uncle, my aunt, my mother, my good father, oh, remember them kindly in their time of trouble; and in the hour of their taking away.
I think a lot of people who want to be musicians terrify their parents because they don't have a living example of it in their families, and I did. So I always knew that it was possible.
I think all those actors from that generation, like Bogart - they were wonderful actors. They didn't act. They just came on and they did it, and the characters were wonderful.
I also started writing songs because I had this burning activity in my heart and had to express myself.
You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.
With me poetry has not been a purpose, but a passion.
An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
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