You know, once you've had that guitar up so loud on the stage, where you can lean back and volume will stop you from falling backward, that's a hard drug to kick.
Interpretation
The quote reflects the addictive thrill of performing music at high volumes.
David Gilmour's quote illustrates the euphoric and captivating experience of performing live music, particularly when the sound emanating from a guitar creates an immersive environment. He likens the exhilaration of this experience to that of a drug, suggesting that once an artist has felt the overwhelming rush of energy and connection with an audience, it becomes a challenging habit to leave behind.
In practice
This quote can inspire musicians discussing their love for performing.
I can't help other people's frustrations. I don't owe people anything. If people would like to come to my concerts, I'd love them to come. And if they like the music that I make, I love that, too. But I do not make music for other people. I make it to please myself.
The only way artists can do things is to do it for themselves. Trying to second guess what the public wants or likes is kind of a fool's game.
No-one can replace Richard Wright - he was my musical partner and my friend.
It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.
Our music has depth, and attempts philosophical thought and meaning with discussions of infinity, eternity and mortality. There is a line which people cross that turns it into some magical, mystical realm, for which I dont claim responsibility and dont hold any great truck with.
Tired of lying in the sunshine, staying home to watch the rain You are young and life is long, and there is time to kill today And then one day you find, ten years has got behind you No one told you where to run, you missed the starting gun.
Authors and actors and artists and such - Never know nothing, and never know much.
The poet complains or points out the discontent that lies at the heart of man, the individual man, and how can that be redeemed?
The essence of poetry is invention; such invention as, by producing something unexpected, surprises and delights.
All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas!
I never like to think that I design for a particular person. I design for the woman I wanted to be, the woman I used to be, and - to some degree - the woman I'm still a little piece of.
My influences have been what I call my four Bs - the primary one being the blues, then Borges, Baraka, and Bearden.
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