Personally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you've spoken or read or written a fine sentence. You can recognise a well-tuned phrase or an elegant style. But when you are applying the rules of grammar skilfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, to see it quite naked, in a way.
Interpretation
Grammar enhances the beauty of language by allowing clarity and elegance in communication.
In this quote, Muriel Barbery emphasizes that grammar is not merely a set of rules but a tool for achieving beauty in language. By mastering grammar, one can appreciate the art of writing and speaking more deeply, recognizing the elegance of well-crafted sentences and phrases that convey meaning in a refined manner. The act of using grammar skillfully allows individuals to uncover the intricate structures that underlie effective communication, elevating their expression to a higher aesthetic level.
In practice
A speaker can use this quote to highlight the importance of grammar in a public speaking workshop.
Yes, the world may aspire to vacuousness, lost souls mourn beauty, insignificance surrounds us. Then let us drink a cup of tea. Silence descends, one hears the wind outside, autumn leaves rustle and take flight, the cat sleeps in a warm pool of light. And, with each swallow, time is sublimed.
But many intelligent people have a sort of bug: they think intelligence is an end in itself. They have one idea in mind: to be intelligent, which is really stupid. And when intelligence takes itself for its own goal, it operates very strangely: the proof that it exists is not to be found in the ingenuity or simplicity of what it produces, but in how obscurely it is expressed.
Sashimi is velvet dust, verging on silk, or a bit of both, and the extraordinary alchemy of its gossamer essence allows it to preserve a milky density unknown even by clouds.... my cheeks recalled the effects of its profound caress.
If, in our world, there is any chance of becoming the person you haven't yet become...will I know how to seize that chance, turn my life into a garden that will be completely different from my forebears'?
Because beauty consists of its own passing, just as we reach for it. It's the ephemeral configuration of things in the moment, when you can see both their beauty and their death.
There's so much humanity in a love of trees, so much nostalgia for our first sense of wonder, so much power in just feeling our own insignificance when we are surrounded by nature...yes, that's it: just thinking about trees and their indifferent majesty and our love for them teaches us how ridiculous we are - vile parasites squirming on the surface of the earth - and at the same time how deserving of life we can be, when we can honor this beauty that owes us nothing.
We shouldn't be copying what we see. We should try to find our own sense of style, to believe in ourselves.
One of the things that kept me out of trouble was doing something creative - creativity can't be judged.
We name one thing and then another. That’s how time enters poetry. Space, on the other hand, comes into being through the attention we pay to each word. The more intense our attention, the more space, and there’s a lot of space inside words.
Poetry is the deification of reality.
I started being interested in acting when I heard the voices of Sir Laurence Olivier and Sir John Gielgud and Sir Alec Guinness. Ive had the great privilege of working with Sir Derek Jacobi and Sir Anthony Hopkins. These are people who inspire the work that I do.
Art is a gift: you create and then you give away. How readers receive that gift is their business. If they hate it, that’s their response to it. Others respond by liking it. Either way, that is their interaction with the book, which is no longer mine.
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