Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It's not for the acting, that's for sure.
Interpretation
Bill Murray highlights that the high salaries of actors compensate for the difficulties and sacrifices of their lifestyle rather than just their acting skills.
In this quote, Bill Murray reflects on the nature of the compensation received by film actors. He suggests that the significant salaries are not solely a reward for their acting talent but are instead intended to compensate for the challenges that come with fame, such as frequent travel, time spent away from loved ones, and the complications of public life. The statement underscores the idea that the glamorous perception of acting may overlook the personal costs associated with it.
In practice
This quote can be used when discussing the sacrifices actors make in their careers during a film industry panel.
You know the theory of cell irritability? If you take an amoeba cell and poke it a thousand times, it will change and then re-form into its original shape. And then, the thousandth time you poke this amoeba, the cell will completely collapse and become nothing. That's kind of what it's like being famous. People say hi, how are you doing, and after the thousandth time, you just get angry; you really pop.
My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'
There's definitely a lot of trash that comes with the prize of being famous. It's a nice gift, but there's a lot of wrapping and paper and junk to cut through. Back then, when a movie came out and people saw you on the street, their reaction was so supercharged that it was scary. It would frighten other people. It used to really rattle me. I mean, everybody would love to have their clothes torn off by a mob of girls, but being screamed at is different.
Like: 'Don't walk out there with one hand in your pocket unless there's somethin' in there you're going to bring out.' You gotta commit. You've gotta go out there and improvise and you've gotta be completely unafraid to die. You've got to be able to take a chance to die. And you have to die lots. You have to die all the time.
Friendship is so weird. You just pick a human you've met and you're like, 'Yep, I like this one,' and you just do stuff with them.
Golf was my first glimpse of comedy. I was a caddy when I was a kid. I was on the golf course rather than being in lessons, but I can play better now than I could then.
Making movies is not rocket science. It's about relationships and communication and strangers coming together to see if they can get along harmoniously, productively, and creatively. That's a challenge. When it works, it's fantastic and will lift you up. When it doesn't work, it's almost just as fascinating.
Dance is just like film in that it allows for thoughts in movement.
You don't write because you want to say something, you write because you have something to say.
What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.
I don't know, on a sitcom, and in theatre especially, you have to really be listening to an audience. And if you're losing them, you can hear the sniffs, and the playbills shuffling and whatnot.
The poetic act consists of suddenly seeing that an idea splits up into a number of equal motifs and of grouping them; they rhyme.
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