We weren't listening to guitar bands, we were thoroughly ashamed of being a guitar band. So we bought loads of keyboards and learned how to use them, and when we got bored we went back to guitars.
Interpretation
The quote reflects a sense of evolution in music and the struggle for originality.
Thom Yorke's quote illustrates the tension that arises within musicians as they navigate their identities and sound amidst evolving musical trends. It highlights the desire to break away from expectations, leading to experimentation with different instruments, like keyboards, while never fully discarding their roots in guitar music. This constant cycle of exploration and return signifies both a search for innovation and a reconciliation with one’s original influences.
In practice
During a presentation on the evolution of music genres, quoting this could emphasize the importance of experimentation.
I'm achingly aware of my own limitations as both part of the human race and as an individual. I'm just, casting this out that, maybe, I'm not so perfect as is the affront I oft put on. After all, the lyric is 'I wish I was special'. I truly just want to be loved and accepted, I think, like all humans.
There's a pervading sense of loneliness I've had since the day I was born. Maybe a lot of other people feel the same way, but I'm not about to run up and down the street asking everybody if they're as lonely as I am. I'd probably get locked up.
People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.
I don't think young people are as demoralized as the media and government would like us to think. The obvious sign of that is how strong and how close personal connections are and how much people are able to build a life for themselves, despite all this stuff that's been thrown at them.
I tell you what's really ridiculous--going into a bookstore and there's all these books about yourself. In a way, it feels like you're already dead.
We're at a time when we are being presented with undeniable changes in the global climate and fundamental issues that affect every single one of us, and it's the time we're listening to the most hokey shite on the radio and watching vacuous bullshit celebrities being vacuous bullshit celebrities and desperately trying to forget about everything. Which is fine, you know, but personally speaking, I can't do that.
I get offended when people say, 'So, being a white rapper...and growing up white...after being born white...' It's all I ever hear!
If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
I approach everything as chamber music. Even with Beethoven symphonies, I lead from the violin and basically encourage the orchestra to think of it as a giant string quartet.
This banjo surrounds hate and forces it to surrender.
I don't rely on my figure to sell records.
Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.
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