For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.
Robert GravesRead
A banker warned the British poet Robert Graves that one could not grow rich writing poetry. He replied that if there was no money in poetry, there was certainly no poetry in money, and so it was all even.
Interpretation
Graves implies that financial wealth is not the only measure of value, and creativity in poetry holds its own intrinsic worth.
In this quote, Robert Graves highlights the inherent value of artistic expression over monetary gain. He suggests that while writing poetry may not lead to financial riches, the essence and beauty of poetry far outweigh material wealth, thus presenting a philosophical perspective on the true nature of value in life.
In practice
In a speech about the importance of the arts in schools, one might quote Graves to emphasize the value of creativity.
For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.
To recommend a monarchy on account of the prosperity it gives the provinces seems to me like recommending that a man should have liberty to treat his children as slaves, if at the same time he treats his slaves with reasonable consideration.
Poetry began in the matriarchal age, and derives its magic from the moon, not from the sun. No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, stamping out the measure of the dance, their bodies bent uncouthly forward, with a monotonous chant of "Kill! kill! kill!" and "Blood! blood! blood!
No poem is worth anything unless it starts from a poetic trance, out of which you can be wakened by interruption as from a dream. In fact, it is the same thing.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
Before an attack, the platoon pools all its available cash and the survivors divide it up afterwards. Those who are killed can't complain, the wounded would have given far more than that to escape as they have, and the unwounded regard the money as a consolation prize for still being here.
The violence of the Left is symbolic, the injuries are not intended. The violence of the Right is real - directed at people, designed to cause injuries. Vietnam, nuclear weapons, police out of control are intentional forms of violence. The violence from the Right is aimed directly at people and the violence from the Left is aimed at institutions and symbols.
The individual must not merely wait and criticize, he must defend the cause the best he can. The fate of the world will be such as the world deserves.
I'm working at trying to be a Christian, and that's serious business. It's like trying to be a good Jew, a good Muslim, a good Buddhist, a good Shintoist, a good Zoroastrian, a good friend, a good lover, a good mother, a good buddy: it's serious business.
... the community suffers nothing very terrible if its cobblers are bad and become degenerate and pretentious; but if the Guardians of its laws and constitution, who alone have the opportunity to bring it good government and prosperity, become a mere sham, then clearly it is completely ruined.
I think that everything should be made available to everybody, and I mean LSD, cocaine, codeine, grass, opium, the works. Nothing on earth available to any man should be confiscated and made unlawful by other men in more seemingly powerful and advantageous positions.
RUMOR, n. A favorite weapon of the assassins of character.
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