Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.
He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.
Interpretation
What this quote means
The quote expresses deep affection based on a range of admirable qualities in the person being kissed.
This quote illustrates the multifaceted reasons behind love and attraction, showcasing how beauty, kindness, intelligence, and humor contribute to a profound emotional connection. The narrator reflects on the qualities that draw him to the woman, emphasizing that love is not just about physical attributes but also about shared values and interests, leading to a desire for companionship and shared experiences.
Themes
In practice
Example use cases
In a romantic speech at a wedding, one might say: 'This quote by Rainbow Rowell beautifully encapsulates the love I feel for my partner, appreciating not just their beauty but the incredible person they are.'
More from Rainbow Rowell
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She was wearing a pair of my pajamas with the sleeves rolled up. When she laughed I wanted her again. A minute later she asked me if I loved her. I told her it didn't mean anything but that I didn't think so. She looked sad. But as we were fixing lunch, and for no apparent reason, she laughed in such a way that I kissed her.
Why is it that words like these seem dull and cold? Is it because there is no word tender enough to be your name?
Too often we underestimate the power of a touch, a smile, a kind word, a listening ear, an honest compliment, or the smallest act of caring, all of which have the potential to turn a life around.
If I had no duties, and no reference to futurity, I would spend my life in driving briskly in a post-chaise with a pretty woman.
When I speak of the erotic, then I speak of it as an assertion of the life force of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.
Love is the last relay and ultimate outposts of eternity.