Love is generally confused with dependence; but in point of fact, you can love only in proportion to your capacity for independence.
Rollo MayRead
Beauty is the experience that gives us a sense of joy and a sense of peace simultaneously.
Interpretation
Beauty brings us joy and tranquility at the same time.
This quote emphasizes the dual nature of beauty, highlighting its ability to evoke both happiness and serenity in our lives. It suggests that when we encounter something beautiful, whether it be art, nature, or moments of kindness, we can feel uplifted and at ease, creating a harmonious experience that enriches our existence.
In practice
This quote can be shared during an art exhibition to highlight the emotional impact of art.
Love is generally confused with dependence; but in point of fact, you can love only in proportion to your capacity for independence.
To love means to open ourselves to the negative as well as the positive - to grief, sorrow, and disappointment as well as to joy, fulfillment, and an intensity of consciousness we did not know was possible before
Terrorism and the whole drug scene are vivid examples of the fact that what persons abhor most of all in life is the possibility that they will not matter.
Humor is the healthy way of feeling "distance" between one's self and the problem, a way of standing off and looking at one's problem with perspective.
The poet, like the lover, is a menace on the assembly line.
Joy is the zest that you get out of using your talents, your understanding, the totality of your being, for great aims...That's the kind of feeling that goes with creativity. That's why I say the courage to create. Creation does not come out of simply what you're born with. That must be united with your courage, both of which cause anxiety, but also great joy.
At the ballet classes I took when I first came to New York, I would see great dancers like Cynthia Gregory and Lupe Serrano. I would look at them and study what they could do, and what I couldn't do. And then I'd think maybe they should try what I could do.
On a morning from a Bogart movie, in a country where they turn back time. You go strolling through the crowd like Peter Lorre, contemplating a crime. She comes out of the sun in a silk dress running like a watercolor in the rain. Don't bother asking for explanations, she'll just tell you that she came in the year of the cat.
One does not read a poem by Gwendolyn Brooks with hopes that it will grant him a career in engineering; he does so because poetry helps him see something in the world that he might not have seen before.
We have the script, we have the actors, and we're trying to figure out what this is, and you don't know what it is. You have to be open to what it's going to become rather than have this thing that you're trying to get to, which is boring.
The proliferation of styles, genres, and media need not be the death knell of anything. Instead, it's a sign that our acceptance for variation and experimentation has become wider, our interests have become more diverse, and our appetites have become more omnivorous.
No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.
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