So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Rainer Werner FassbinderRead
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Interpretation
The influence of a filmmaker can permeate an artist's work, shaping their creative output.
This quote expresses how Rainer Werner Fassbinder acknowledges the profound impact that filmmaker Douglas Sirk has had on his own creative journey. By stating that Sirk has been present in everything he has done, Fassbinder highlights the way artistic inspiration can be derived from previous works, which inform an artist's perspective and style, transcending mere imitation to contribute to their unique expression.
In practice
During a film studies lecture, I referenced Fassbinder's quote to discuss how filmmakers influence one another.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.
It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
If it adapts itself to what the majority of our society wants, art will be a meaningless recreation.
Behind every exquisite thing that existed, there was something tragic.
How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper.
I write a song because I want to. I think the moment you start writing it to make money, you're starting to kill yourself artistically.
My task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see.
I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
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