So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Rainer Werner FassbinderRead
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Interpretation
The influence of a filmmaker can permeate an artist's work, shaping their creative output.
This quote expresses how Rainer Werner Fassbinder acknowledges the profound impact that filmmaker Douglas Sirk has had on his own creative journey. By stating that Sirk has been present in everything he has done, Fassbinder highlights the way artistic inspiration can be derived from previous works, which inform an artist's perspective and style, transcending mere imitation to contribute to their unique expression.
In practice
During a film studies lecture, I referenced Fassbinder's quote to discuss how filmmakers influence one another.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.
It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Usually, when we talk about creativity, it's about self-expression, which is great, but for work to be art or design, there has to be someone on the other end. The audience makes the work come alive.
I spent my life folded between the pages of books._x000D_ In the absence of human relationships I formed bonds with paper characters. I lived love and loss through stories threaded in history; I experienced adolescence by association. My world is one interwoven web of words, stringing limb to limb, bone to sinew, thoughts and images all together. I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.
Television shows are not like cars or operating systems, and they are not best made by engineers or coders in the same assembly line manner as consumer products which need to be of uniform size, shape, and quality.
Study, find all the good teachers and study with them, get involved in acting to act, not to be famous or for the money. Do plays. It's not worth it if you are just in it for the money. You have to love it.
To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be.
I can't think of anything worse, really, than to try to live up to someone else's expectations of what you should be. You don't make art by consensus.
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