So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Rainer Werner FassbinderRead
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Interpretation
The influence of a filmmaker can permeate an artist's work, shaping their creative output.
This quote expresses how Rainer Werner Fassbinder acknowledges the profound impact that filmmaker Douglas Sirk has had on his own creative journey. By stating that Sirk has been present in everything he has done, Fassbinder highlights the way artistic inspiration can be derived from previous works, which inform an artist's perspective and style, transcending mere imitation to contribute to their unique expression.
In practice
During a film studies lecture, I referenced Fassbinder's quote to discuss how filmmakers influence one another.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.
It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I started out on photography accidentally. A policeman came to a stop at the end of my street, and a guy knifed him at the end of my street. That's how I became a photographer. I photographed the gangs that I went to school with.
We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
Good writing ... involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
What am I in the eyes of most people - a nonentity, an eccentric, or an unpleasant person - somebody who has no position in society and will never have; in short, the lowest of the low. All right, then - even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
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