So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
Rainer Werner FassbinderRead
Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
Interpretation
The influence of a filmmaker can permeate an artist's work, shaping their creative output.
This quote expresses how Rainer Werner Fassbinder acknowledges the profound impact that filmmaker Douglas Sirk has had on his own creative journey. By stating that Sirk has been present in everything he has done, Fassbinder highlights the way artistic inspiration can be derived from previous works, which inform an artist's perspective and style, transcending mere imitation to contribute to their unique expression.
In practice
During a film studies lecture, I referenced Fassbinder's quote to discuss how filmmakers influence one another.
So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
I detest the idea that love between two persons can lead to salvation. All my life I have fought against this oppressive type of relationship. Instead, I believe in searching for a kind of love that somehow involves all of humanity.
It isn't easy to accept that suffering can also be beautiful... it's difficult. It's something you can only understand if you dig deeply into yourself.
The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
My dad would go to work every day and write in a room full of funny people. He enjoyed it. I know great writers who find the process agonising but to me, writing has always been sheer joy.
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
Why, if 'tis dancing you would be, There's brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man. Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not.
I am interested in a political art, that is to say an art of ambiguity, contradiction, uncompleted gestures and uncertain ending - an art (and a politics) in which optimism is kept in check, and nihilism at bay.
I never see one woman when I design, it's always a universe of women
The Japanese have a wonderful sense of design and a refinement in their art. They try to produce beautiful paintings with the minimum number of strokes.
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