If you want to reach every person in the audience, it's not about being bigger, it's about going deeper.
Sanford MeisnerRead
The only way to deal with yourself as an actor is to follow the emotional truth of what you have to do under the imaginary circumstances. And as you develop you become confident. You come to believe in what you're doing and trust it because it's out of you.
Interpretation
The quote emphasizes the importance of emotional truth and self-confidence in acting.
Sanford Meisner highlights that true acting involves tapping into one's emotional authenticity while engaging in imagined scenarios. As an actor grows and develops, they gain confidence in their craft, which helps them trust the portrayals they create, leading to more genuine performances.
In practice
This quote can be used in a speech about the importance of authenticity in art.
If you want to reach every person in the audience, it's not about being bigger, it's about going deeper.
Your acting will not be good until it is only yours. That's true of music, acting, anything creative. You work until finally nobody is acting like you.
Being an actor is a religious calling because you've been given the ability, the gift to inspire humanity. Think about that on the way to your soap opera audition.
Acting is the ability to live truthfully under the given imaginary circumstances
You can't learn to act unless you're criticized. If you tie that criticism to your childhood insecurities you'll have a terrible time. Instead, you must take criticism objectively, pertaining it only to the work being done.
Tell the story as if it were only of interest to the small circle of your characters, of which you may be one. There is no other way to put life into the story.
When you're writing, you're conjuring. It's a ritual, and you need to be brave and respectful and sometimes get out of the way of whatever it is that you're inviting into the room.
Art produces ugly things which frequently become beautiful with time.
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
This is Art holding a Mirror up to Life. That’s why everything is exactly the wrong way around.
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
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