For children of my generation, anime was an escape from Japan's loser complex following World War II. Anime wasn't foreign. It was our own.
Takashi MurakamiRead
We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.
Interpretation
Art allows us to momentarily glimpse the future and be emotionally affected by our experiences.
In this quote, Takashi Murakami emphasizes the transformative power of art. He suggests that our desire to see new things stems from a pursuit of understanding the future, capturing fleeting moments that resonate with us, even when their full meaning eludes us. Art serves as a medium for these experiences, connecting us to deeper emotions and ideas that shape our perception of what is to come.
In practice
In an art class discussion about the role of contemporary art in society.
For children of my generation, anime was an escape from Japan's loser complex following World War II. Anime wasn't foreign. It was our own.
To end up with a canvas that is no less beautiful than the empty canvas is to begin with.
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
Every good writer or filmmaker has something eating at them, right? That they can't quite get off their back . And so your job is to make your audience care about your obsessions.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
Every creator painfully experiences the chasm between his inner vision and its ultimate expression. The chasm is never completely bridged. We all have the conviction, perhaps illusory, that we have much more to say than appears on the paper.
There was a time before I felt I was a real writer, when I was a yarn spinner and I just wanted to tell story until it was over. But then there came a time where I was like, 'No, I want to understand something through writing this that I might have not understood before. I want people to come away with something to think about.'
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