some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
Jennifer EganRead
Training readers to expect a voice or subject matter from me would interfere with the reinvention I crave. At the same time, I feel almost too able to disappear at times.
Interpretation
The quote reflects the struggle between the desire for creative freedom and the pressure to conform to expectations.
Jennifer Egan expresses the internal conflict of a creator in this quote. She values the ability to reinvent herself and her work, suggesting that if readers come to expect a certain style or topic from her, it would hinder her creative evolution. At the same time, she acknowledges a feeling of anonymity that may accompany such freedom, hinting at the loneliness that can come from distancing oneself from audience expectations.
In practice
During a literary seminar, you might quote this to illustrate the challenges authors face.
some mornings... I sit at the kitchen table shaking salt into the hairs on my arm, and a feeling shoves up in me: it's finished. Everything went past without me.
I think there are ways in which we censor ourselves; that's the most dangerous kind of censorship - that's how hegemony works.
I find myself thinking more about the past as I get older... maybe because there's just more of it to think about. At the same time, I'm less haunted by it than I was as a younger person. I guess that's probably the ideal: to reach a point where you have access to all of your memories, but you don't feel victimized by them.
I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
And Alex understood that Scotty Hausmann did not exist. He was a word casing in human form: a shell whose essence has vanished.
We live in a moment and a culture when reading is really endangered. There's simply no way to write well, though, if you're not reading well.
An artist's concern is to capture beauty wherever he finds it.
What's so powerful about the Psalms are, as well as they're being gospel and songs of praise, they are also the blues.
If I'm honest I have to tell you I still read fairy-tales and I like them best of all.
She screamed, the high scream that was neither human nor animal but something terrible in between, the sort of sound that you never forget no matter how many beautiful things you hear afterward.
The glory of a good tale is that it is limitless and fluid; a good tale belongs to each reader in its own particular way.
Some split between the inner world and outer world is common to all behaviour, and the need to bridge the gap is the source of creative behaviour.
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