Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Jackson PollockRead
I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc. I prefer sticks, trowels, knives and dripping fluid paint or a heavy impasto with sand, broken glass or other foreign matter added.
Interpretation
Pollock emphasizes breaking away from traditional painting methods to embrace experimental techniques.
In this quote, Jackson Pollock describes his departure from conventional tools of painting to explore innovative materials and methods. This reflects his commitment to freedom in expression and his desire to create art that transcends traditional boundaries, illustrating a deep connection between artist and medium through abstraction and physicality.
In practice
In discussions about modern art, this quote can highlight the shift towards experimental methods.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
I don't paint nature. I am nature.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
My painting does not come from the easel.
I've been thinking of death a lot, and I am amazed by its inevitability, frightened, as we all are, of the totally unknown, and yet feel a long sleep is somehow earned by those of us who live on the edge.
Unlike film and TV, theater is a luxury object, but one that ordinary middle-class people can still afford. Above all, it isn't a mass medium: Live theater is a small-scale, handmade art form. Intimacy is what makes it special.
What I need most of all is color, always, always.
Music is the wine which inspires one to new generative processes, and I am Bacchus who presses out this glorious wine for mankind and makes them spiritually drunken.
When I was making 'Star Wars,' I wasn't restrained by any kind of science. I simply said, 'I'm going to create a world that's fun and interesting, makes sense, and seems to have a reality to it.'
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries.
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