There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
Ava DuvernayRead
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
Interpretation
Ava Duvernay emphasizes the importance of complex and genuine portrayals of marginalized groups in media.
In this quote, Ava Duvernay critiques the oversimplified and often stereotypical representation of black individuals and women in Hollywood, advocating for a more nuanced and realistic depiction of their identities. She argues that a truly positive portrayal acknowledges the full spectrum of humanity, including both strengths and flaws, rather than conforming to sanitized expectations that do not reflect reality.
In practice
This quote can be used in a panel discussion about representation in media.
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I think for female filmmakers a big issue is making their second and third films.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
Writing a book of poetry is like dropping a rose petal down the Grand Canyon and waiting for the echo.
Dumbing down takes many forms: art that is good for you, museums that flatter you, universities that increase your self-esteem. Culture, after all, is really about you.
I wanted to write a show about an estate that wasn't sad or morbid, like a lot of shows portray working class life to be.
Writing for me is cutting out the fat and getting to the meaning.
I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.
Organic buildings are the strength and lightness of the spiders' spinning, buildings qualified by light, bred by native character to environment, married to the ground.
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