There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
Ava DuvernayRead
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
Interpretation
Ava Duvernay highlights the challenges women face in gaining recognition and funding in the film industry.
In this quote, Ava Duvernay emphasizes the systemic barriers that women encounter in cinema, specifically in receiving support for their creative voices. She reflects on the difficulties of securing funding and the cyclical nature of starting over, suggesting that the lack of encouragement for women's perspectives in filmmaking hinders their ability to contribute meaningfully to the industry.
In practice
This quote could be used as an opening statement in a panel discussion about women in film.
There's a belonging problem in Hollywood. Who dictates who belongs? The very body who dictates that looks all one way.
I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
I think for female filmmakers a big issue is making their second and third films.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.
I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
The important thing is not the camera but the eye.
I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
Art resides in the quality of doing, process is not magic.
Any woman or man who would write the truth of their lives would write a great work. But no one has dared to write the truth of their lives.
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