The heaventree of stars hung with humid nightblue fruit.
James JoyceRead
Lord, heap miseries upon us yet entwine our arts with laughters low.
Interpretation
Joy can coexist with suffering, and creativity often arises from hardship.
In this quote, James Joyce highlights the complex relationship between art and suffering, suggesting that even in the face of hardships and miseries, there is a potential for creativity and joy, often expressed through laughter. The contradictory nature of experiencing both pain and art calls attention to the resilience of the human spirit and the transformative power of artistic expression.
In practice
During an art exhibition, this quote can inspire viewers to appreciate the depth of emotions behind each piece.
The heaventree of stars hung with humid nightblue fruit.
I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.
The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.
The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee.
It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.
The writer has no responsibility other than to jack off in bed alone and write a good page.
My first memory of loving music happened so early. We would always go to the beach in the summer and I would run from blanket to blanket, from family to family and just sing Lion King songs acapella.
Rewriting isn't just about dialogue; it's the order of the scenes, how you finish a scene, how you get into a scene.
The eye speaks with an eloquence and truthfulness surpassing speech. It is the window out of which the winged thoughts often fly unwittingly. It is the tiny magic mirror on whose crystal surface the moods of feeling fitfully play, like the sunlight and shadow on a still stream.
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