The heaventree of stars hung with humid nightblue fruit.
James JoyceRead
Lord, heap miseries upon us yet entwine our arts with laughters low.
Interpretation
Joy can coexist with suffering, and creativity often arises from hardship.
In this quote, James Joyce highlights the complex relationship between art and suffering, suggesting that even in the face of hardships and miseries, there is a potential for creativity and joy, often expressed through laughter. The contradictory nature of experiencing both pain and art calls attention to the resilience of the human spirit and the transformative power of artistic expression.
In practice
During an art exhibition, this quote can inspire viewers to appreciate the depth of emotions behind each piece.
The heaventree of stars hung with humid nightblue fruit.
I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.
The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.
What do dancers think of Fred Astaire? It's no secret. We hate him. He gives us a complex because he's too perfect. His perfection is an absurdity. It's too hard to face.
I cannot pursue my architecture without considering the minimization of energy consumption, simple and direct technologies, a respect for site, climate, place and culture. Together, these disciplines represent for me a fantastic platform for experimentation and expression. Of particular importance is the junction of the rational and the poetic resulting hopefully in works that resonate and belong to where they reside.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
Beauty is the sole ambition, the exclusive goal of Taste.
The ultimate pleasure of architecture lies in the most forbidden parts of the architectural act, where limits are perverted and prohibitions are transgressed.
Creativity is that marvelous capacity to grasp mutually distinct realities and draw a spark from their juxtaposition.
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