The heaventree of stars hung with humid nightblue fruit.
James JoyceRead
Lord, heap miseries upon us yet entwine our arts with laughters low.
Interpretation
Joy can coexist with suffering, and creativity often arises from hardship.
In this quote, James Joyce highlights the complex relationship between art and suffering, suggesting that even in the face of hardships and miseries, there is a potential for creativity and joy, often expressed through laughter. The contradictory nature of experiencing both pain and art calls attention to the resilience of the human spirit and the transformative power of artistic expression.
In practice
During an art exhibition, this quote can inspire viewers to appreciate the depth of emotions behind each piece.
The heaventree of stars hung with humid nightblue fruit.
I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.
The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.
One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles.
Always, when I do a play, there's got to be an equation of risks and potential failure. When you're working on a new play, it's like, 'How the hell do I do this, and do we have the time?' All of these huge questions engage, hopefully, the smartest part of me. And then when you're doing a revival, I went, 'Well, somebody's already solved it.'
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
The job of the novelist is to invent: to embroider, to color, to embellish, to entertain, to make things up. The art of what I do lies not in research or even recollection but primarily in invention.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
Elegance is not the prerogative of those who have just escaped from adolescence, but of those who have already taken possession of their future.
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