War's dirty little secret is that some men love it.
Kathryn BigelowRead
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
Interpretation
Kathryn Bigelow expresses a desire to be recognized solely as a filmmaker, without needing any qualifiers.
In this quote, Kathryn Bigelow articulates her aspiration to be seen simply as a filmmaker, wishing for a future where gender or other modifiers do not define one's identity in the field of film. This reflects a broader discussion on the importance of merit and talent over labels, particularly in industries where diversity has historically been underrepresented.
In practice
In a speech addressing young filmmakers about the importance of being recognized for skill rather than gender.
War's dirty little secret is that some men love it.
Those of us who work in the arts know that depiction is not endorsement. If it was, no artist would be able to paint inhumane practices, no author could write about them, and no filmmaker could delve into the thorny subjects of our time.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
There should be more women directing; I think there's just not the awareness that it's really possible.
I'm nothing else but an artist, I'm sure, and delighted to be.
Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better. An artist cannot deny art, nor would he want to. A lover cannot deny love.
I always had a great appreciation for jazz, but I'm a very pedestrian musician. I get by. I like to think that my main instrument is vocabulary.
The art of a people is a true mirror to their minds.
I have been carrying on a dialogue between the landscape and the female body (based on my own silhouette) I am overwhelmed by the feeling of having been cast from the womb (nature). Through my earth/body sculptures I become one with the earth I become an extension of nature and nature becomes an extension of my body
In Paris, we call the people who make clothing 'couturiers' - they develop new clothing items - but actually, the work of designing is to make something that works in real life.
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