War's dirty little secret is that some men love it.
Kathryn BigelowRead
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
Interpretation
Kathryn Bigelow emphasizes resilience in the face of gender-based challenges in the film industry.
In this quote, Kathryn Bigelow highlights her determination to pursue her passion for filmmaking despite the barriers posed by gender biases. She expresses an unwillingness to dwell on negative perceptions or obstacles that arise from being a woman in a predominantly male-dominated field, asserting her identity and choice to continue creating movies regardless of societal resistance.
In practice
In a speech at a film festival to inspire young female filmmakers.
War's dirty little secret is that some men love it.
Those of us who work in the arts know that depiction is not endorsement. If it was, no artist would be able to paint inhumane practices, no author could write about them, and no filmmaker could delve into the thorny subjects of our time.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
There should be more women directing; I think there's just not the awareness that it's really possible.
In my naïvety, I thought people who were in rock 'n' roll bands were great artists, and it was a huge shock to the system to realise that they weren't, that they didn't even aspire to be, really. Some of them did, maybe, but some of them, like Samson, were very frightened of the idea.
Chess and me, it's hard to take them apart. It's like my alter ego.
A challenging economy is always good for design. It unites necessity and functionality. You are forced to be creative with poor materials.
Long looking at paintings is equivalent to being dropped into a foreign city, where gradually, out of desire and despair, a few key words, then a little syntax make a clearing in the silence. Art... is a foreign city, and we deceive ourselves when we think it familiar... We have to recognize that the language of art, all art, is not our mother-tongue.
Beauty is perfect in its imperfections, so you just have to go with the imperfections.
Musicals are plays, but the last collaborator is your audience, so you've got to wait 'til the last collaborator comes in before you can complete the collaboration.
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