In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
Wim WendersRead
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
Interpretation
Protectionism in cinema is counterproductive and detrimental to its survival.
Wim Wenders emphasizes that attempting to shield European cinema from external influences through protectionism is a flawed approach. Rather than fostering its growth, isolating it creates stagnation and undermines its vitality, suggesting that engagement and openness are vital for the art form's survival and evolution.
In practice
During a film festival panel on the future of European cinema, one could use this quote to highlight the need for international collaboration.
In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
The most political decision you make is where you direct people's eyes. In other words, what you show people, day in and day out, is political...And the most politically indoctrinating thing you can do to a human being is to show him, every day, that there can be no change.
Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.
Any film that supports the idea that things can be changed is a great film in my eyes.
I don't know if music can change the world overnight but I know that music can help someone make it through a difficult night.
You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.
Poetry is what makes the invisible appear.
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
You're getting everyone's point of view at the same time, which for me, is the perfect state for a novel: a cubist state, the cubist novel.
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