In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
Wim WendersRead
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
Interpretation
Protectionism in cinema is counterproductive and detrimental to its survival.
Wim Wenders emphasizes that attempting to shield European cinema from external influences through protectionism is a flawed approach. Rather than fostering its growth, isolating it creates stagnation and undermines its vitality, suggesting that engagement and openness are vital for the art form's survival and evolution.
In practice
During a film festival panel on the future of European cinema, one could use this quote to highlight the need for international collaboration.
In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
The most political decision you make is where you direct people's eyes. In other words, what you show people, day in and day out, is political...And the most politically indoctrinating thing you can do to a human being is to show him, every day, that there can be no change.
Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.
Any film that supports the idea that things can be changed is a great film in my eyes.
Music is always for the listener, but the first listener is always the musician
The minute you start the process of deciding to make a film and you're communicating that vision to anyone, you're in the process of selling. If you don't understand that, you're not in show business. You're just not.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people.
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
I love to see lack of clarity in a performance as well as clarity, as well as trust, as well as the kinds of things that human beings go through. I love to see spontaneity and 'inevitability.' How it gets there is going to shock the hell out of me, but it will get there somehow.
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