In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
Wim WendersRead
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
Interpretation
Protectionism in cinema is counterproductive and detrimental to its survival.
Wim Wenders emphasizes that attempting to shield European cinema from external influences through protectionism is a flawed approach. Rather than fostering its growth, isolating it creates stagnation and undermines its vitality, suggesting that engagement and openness are vital for the art form's survival and evolution.
In practice
During a film festival panel on the future of European cinema, one could use this quote to highlight the need for international collaboration.
In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
The most political decision you make is where you direct people's eyes. In other words, what you show people, day in and day out, is political...And the most politically indoctrinating thing you can do to a human being is to show him, every day, that there can be no change.
Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.
Any film that supports the idea that things can be changed is a great film in my eyes.
In art, as in science, reductionism does not trivialize our perception - of color, light, and perspective - but allows us to see each of these components in a new way.
For me the initial delight is in the surprise of remembering something I didn't know I knew. I have never started a poem yet whose end I knew.
Being in ballet class, being on the stage, being surrounded by my peers at American Ballet Theater every day, keeps me so humble and grounded. Being in ballet class, I feel, is like this meditation for me every morning.
On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.
What provides you with subject matter is your own language - and that's all.
I knew from the age of five what I wanted to do. The one thing I could do was draw. I couldn't draw that much better than some of the other kids, but I cared more and I wanted it badly.
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