Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Jackson PollockRead
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
Interpretation
The quote reflects a strong influence of realism on the speaker's artistic approach, leading to an exploration of abstract art.
In this quote, Jackson Pollock describes the impact that a particular kind of realism had on him, suggesting that the forcefulness of this influence propelled him into the realm of nonobjective painting. It highlights the dynamic between different art styles and how one can lead an artist to explore innovative forms of expression, emphasizing the transformative power of artistic inspiration.
In practice
This quote could be used during an art class to discuss the evolution of artistic styles.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
I don't paint nature. I am nature.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
My painting does not come from the easel.
I've been thinking of death a lot, and I am amazed by its inevitability, frightened, as we all are, of the totally unknown, and yet feel a long sleep is somehow earned by those of us who live on the edge.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
I think having land and not ruining it is the most beautiful art that anybody could ever want to own.
An incinerator is a writer's best friend.
You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye.
Say what you mean. Say what you see. Make a photograph, if you can, for the reader.
I have an idea, and I have a perpetrator, and I write the book along those lines, and when I get to the last chapter, I change the perpetrator so that if I can deceive myself, I can deceive the reader.
When a poem is really finished, you can't change anything. You can't move words around. You can't say, 'In other words, you mean.' No, that's not it. There are no other words in which you mean it. This is it.
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