The dissolution of the pictorial into sheer texture, into apparently sheer sensation, into an accumulation of repetitions, seems to speak for and answer something profound in contemporary sensibility.
Clement GreenbergRead
You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye.
Interpretation
Art appreciation is instinctual; it's about personal reaction rather than analysis.
In this quote, Clement Greenberg emphasizes the inherent emotional connection individuals have with art, whether it be traditional landscapes or abstract pieces. He suggests that the impact of art does not require intellectual dissection; rather, it compels viewers to engage visually, creating a profound appreciation based solely on personal preference and feeling.
In practice
In an art critique session, one could use this quote to emphasize the subjective nature of art interpretation.
The dissolution of the pictorial into sheer texture, into apparently sheer sensation, into an accumulation of repetitions, seems to speak for and answer something profound in contemporary sensibility.
The first long chapter of my career was almost entirely theater so that, by the time I was 30, 35, I sort of knew who I was as an actor, and I was gradually learning who I was as a human being.
If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
In the world of animation, you can be anything you wanna be. If you're a fat woman, you can play a skinny princess. If you're short wimpy guy, you can play a tall gladiator. If you're a white man, you can play an Arabian prince. And if you're a black man, you can play a donkey or a zebra.
You could say that my aim is ‘to recover the place’. The place is a result of nature and time; this is the most important aspect. I think my architecture is some kind of frame of nature. With it, we can experience nature more deeply and more intimately. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.
I get the impression sometimes that a play arrives in a sequence of events that I have no control over.
Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
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