Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
George C. WolfeRead
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist.
Interpretation
Commercial theater prioritizes mass appeal over the individual creativity of artists.
George C. Wolfe highlights the tension between commercial interests and artistic integrity within theater. He suggests that when theater productions aim solely to attract broad audiences, they can compromise the distinctive visions of the artists, leading to a dilution of creativity and originality in the performing arts.
In practice
In a discussion on the impact of commercialism in the arts, this quote effectively underscores the need for artistic vision.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing.
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show.
I was raised to believe that other people's suffering was my responsibility.
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
Camus says in 'The Stranger' that reason is the enemy of imagination. Sometimes you have to put reason aside and make something beautiful.
And music has always been incredibly cathartic for me, whether it's writing my own stuff or singing other people's music; it's very freeing.
If someone asked, 'What are your films like?,' the best I can come up with is that they're, like, a fine balance between comedy and drama. And they deal mainly with the clumsiness of humanity.
Musicians want to be the loud voice for so many quiet hearts.
History shows us that in times of people feeling like they are in need of some sort of rebellion or protests, the artists rise because the poetry we create about pain and its relationship to culture in the world begins to soothe and heal people who are feeling confused or afraid.
The stuff I'm passionate about is what I write; it isn't multi-million-dollar franchise movies.
Subscribe for the occasional hand-picked quote. No noise.