I think something that every actor wants, whether they've done four movies or forty movies, is they want to find the work interesting. You want to come to work and think this is going to be a challenge.
Taika WaititiRead
The stuff I'm passionate about is what I write; it isn't multi-million-dollar franchise movies.
Interpretation
This quote emphasizes the importance of personal passion over commercial success in creative work.
Taika Waititi expresses that his true creative drive stems from his passions and interests rather than from the pursuit of wealth through blockbuster movies. This suggests that genuine artistry is rooted in authenticity and passion, rather than in financial motivations or popular trends.
In practice
In a speech about artistic integrity at a film festival.
I think something that every actor wants, whether they've done four movies or forty movies, is they want to find the work interesting. You want to come to work and think this is going to be a challenge.
If someone asked, 'What are your films like?,' the best I can come up with is that they're, like, a fine balance between comedy and drama. And they deal mainly with the clumsiness of humanity.
I'm not interested in doing work that doesn't captivate me.
People overcoming the odds is actually a really important part of humanity, and I don't think we kind of get to celebrate that as much as we should.
I love films that make you feel something but also deliver that payload behind jokes.
I like flawed characters, and I like seeing people who are supposed to be not villains but antagonists. There are elements to them, which are really annoying, but you kind of see where they came from. You see the things that caused those inadequacies.
My favorite piece [piece of music] is the one we hear all the time if we are quiet.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
As a child, I was taught that it was bad manners to bring attention to yourself, and to never, ever make a spectacle of yourself ... All of which I've earned a living doing.
Art -- the fresh feeling, new harmony, the transforming magic which by means of myth brings back the scattered distracted soul from its modern chaos -- art, not politics, is the remedy.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
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