I think something that every actor wants, whether they've done four movies or forty movies, is they want to find the work interesting. You want to come to work and think this is going to be a challenge.
Taika WaititiRead
I like flawed characters, and I like seeing people who are supposed to be not villains but antagonists. There are elements to them, which are really annoying, but you kind of see where they came from. You see the things that caused those inadequacies.
Interpretation
Flawed characters can be relatable, and understanding their backgrounds helps us empathize with their actions.
Taika Waititi expresses an appreciation for flawed characters in storytelling, emphasizing that even those labeled as antagonists often have backgrounds and experiences that shape their behaviors. By exploring the origins of their flaws, audiences can gain a deeper understanding and empathy for these characters, allowing for a more nuanced appreciation of their struggles.
In practice
In a film discussion about character development.
I think something that every actor wants, whether they've done four movies or forty movies, is they want to find the work interesting. You want to come to work and think this is going to be a challenge.
If someone asked, 'What are your films like?,' the best I can come up with is that they're, like, a fine balance between comedy and drama. And they deal mainly with the clumsiness of humanity.
I'm not interested in doing work that doesn't captivate me.
People overcoming the odds is actually a really important part of humanity, and I don't think we kind of get to celebrate that as much as we should.
The stuff I'm passionate about is what I write; it isn't multi-million-dollar franchise movies.
I love films that make you feel something but also deliver that payload behind jokes.
One's life has value so long as one attributes value to the life of others, by means of love, friendship, indignation and compassion.
It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.
Grace, by definition, is something that God is not required to grant. He owes a fallen world no mercy.
But if the Vision was true and mighty, as I know, it is true and mighty yet;for such things are of Spirit, and it is in the darkness of their eyes that men get lost.
Life should be lived on the edge of life. You have to exercise rebellion: to refuse to tape yourself to rules, to refuse your own success, to refuse to repeat yourself, to see every day, every year, every idea as a true challenge - and then you are going to live your life on a tightrope.
The purpose that you wish to find in life, like a cure you seek, is not going to fall from the sky. ...I believe purpose is something for which one is responsible; it's not just divinely assigned.
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