I think something that every actor wants, whether they've done four movies or forty movies, is they want to find the work interesting. You want to come to work and think this is going to be a challenge.
Taika WaititiRead
I love films that make you feel something but also deliver that payload behind jokes.
Interpretation
This quote emphasizes the emotional impact of films that combine humor with deeper messages.
Taika Waititi's quote highlights the dual nature of cinema that can entertain while also provoking thought. It reflects the power of film to resonate emotionally with audiences, delivering meaningful insights wrapped in humor, allowing viewers to connect on different levels. This approach not only engages viewers but also leaves a lasting impression through the clever use of comedy intertwined with serious themes.
In practice
In a film discussion, when analyzing the work of Taika Waititi.
I think something that every actor wants, whether they've done four movies or forty movies, is they want to find the work interesting. You want to come to work and think this is going to be a challenge.
If someone asked, 'What are your films like?,' the best I can come up with is that they're, like, a fine balance between comedy and drama. And they deal mainly with the clumsiness of humanity.
I'm not interested in doing work that doesn't captivate me.
People overcoming the odds is actually a really important part of humanity, and I don't think we kind of get to celebrate that as much as we should.
The stuff I'm passionate about is what I write; it isn't multi-million-dollar franchise movies.
I like flawed characters, and I like seeing people who are supposed to be not villains but antagonists. There are elements to them, which are really annoying, but you kind of see where they came from. You see the things that caused those inadequacies.
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
Being a memory play, it is dimly lighted, it is sentimental. It is not realistic.
She devoured stories with rapacious greed, ranks of black marks on white, sorting themselves into mountains and trees, stars, moons and suns, dragons, dwarfs, and forests containing wolves, foxes and the dark.
Even now, nature is the only flame, on which the poetic spirit feeds; from it alone it draws all its power, to it alone it speaks even in the artificial, in the man engaged in culture.
The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
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