Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.
Peter ShafferRead
Things rust, you know, like the heart. My cardiologist said, 'It's a pump; use it - that's the sole advice I've got to give you.' It's the same in playwriting. Don't theorise about it. Do it.
Interpretation
Creativity and passion require action rather than overthinking.
Peter Shaffer emphasizes that just as physical things can deteriorate without use, so too can talents and passions fade if they are not actively engaged. His cardiologist's advice serves as a metaphor for creative pursuits: to not dwell too much on theory but to actively create and express oneself through art.
In practice
In a workshop on creativity, I quoted Peter Shaffer to inspire participants to take action in their projects.
Tragedy, for me, is not a conflict between right and wrong, but between two different kinds of right.
I discover what I mean as I write. That can be both terrifically exciting and very dangerous, because when you look at your words later, you wonder, 'Did I really mean that, or am I just making verbal patterns?'
Rehearsing a play is making the word flesh. Publishing a play is reversing the process.
The Normal is the good smile in a child’s eyes - all right. It is also the dead stare in a million adults.
A book has got smell. A new book smells great. An old book smells even better. An old book smells like ancient Egypt.
Drawing is a means of obtaining and communicating knowledge
The process is the most beautiful part.
I travel in gardens and bedrooms, basements and attics, around corners, through doorways and windows, along sidewalks, over carpets, down drainpipes, in the sky, with friends, lovers, children and heros; perceived, remembered, imagined, distorted and clarified.
A word is not the same with one writer as with another. One tears it from his guts. The other pulls it out of his overcoat pocket.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
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