Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
Dorothea LangeRead
One should really use the camera as though tomorrow you'd be stricken blind.
Interpretation
Treasure each moment captured through photography, as if it were your last chance to see.
This quote by Dorothea Lange emphasizes the importance of appreciating and valuing each moment that we capture with a camera. It suggests that one should approach photography with a sense of urgency and significance, as if every shot taken could be the last opportunity to witness the beauty of the world.
In practice
In a photography workshop, to inspire participants to capture genuine moments.
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
Surefire things are deadening to the human spirit.
The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
You go into a room and you know where you're welcome; you know where you're unwelcome.Sometimes in a hostile situation you stick around because hostility itself is important.The people who are garrulous and wear their heart on their sleeve and tell you everything, that's one kind of person, but the fellow who's hiding behind a tree and hoping you don't see him is the fellow that you'd better find out why.
I believe in living with the camera, and not using the camera.
Sometimes I sound like gravel, and sometimes I sound like coffee and cream.
Film can do lots of things: It can produce alternative ideas, ask questions, just record the reality of what's happening, it can analyze what's happening. Of course, most commercial films are controlled by big corporations who have an interest in not doing those films.
While I admire writers who are able to write with a vitality based on order and action, I work in a different vein. I often feel that if I can get the language just right, the language hypnotizes the reader.
I deeply wished I could make the stars all come down and breathe them; disappear in them
I bid the chords sweet music make, And all must follow in my wake.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
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