One should really use the camera as though tomorrow you'd be stricken blind.
Dorothea LangeRead
I believe in living with the camera, and not using the camera.
Interpretation
The quote emphasizes the importance of experiencing life fully rather than merely documenting it.
Dorothea Lange's quote reflects the philosophy of engaging deeply with the world around us instead of detaching ourselves through a lens. It suggests that to truly appreciate life and its moments, we should immerse ourselves in experiences rather than just capturing them for later viewing, thus valuing authenticity over documentation.
In practice
In a photography workshop about capturing moments authentically.
One should really use the camera as though tomorrow you'd be stricken blind.
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
Surefire things are deadening to the human spirit.
The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
You go into a room and you know where you're welcome; you know where you're unwelcome.Sometimes in a hostile situation you stick around because hostility itself is important.The people who are garrulous and wear their heart on their sleeve and tell you everything, that's one kind of person, but the fellow who's hiding behind a tree and hoping you don't see him is the fellow that you'd better find out why.
Creative life should be more than preaching to the converted, more than going for a core audience of 100,000 people. It should be taking risks, challenging the readership and having enough faith in one's own talent and craft to take readers on that ride.
I picked up the guitar at 11, but even before then, I was writing songs on the organ.
Joao Gilberto on guitar could read a newspaper and sound good.
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
If you're performing music that is not who you are or where you're at, it is painful. It's painful for the performer and for the audience.
A mime is a terrible thing to waste.
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