When I write something, I can't remember in the end if this is a memory or if it's not - I'm talking about fiction. So for me, it's the same thing.
Karl Ove KnausgardRead
When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.
Interpretation
This quote emphasizes the deep connection between reality and fiction in storytelling.
Karl Ove Knausgard reflects on the nature of fiction, suggesting that his novels are rooted in reality while also acknowledging the power and impact of imaginary elements. He conveys that the distinction between real experiences and fictional creations can often be indistinct, highlighting how both can evoke similar emotional responses and insights.
In practice
In a talk about the blurred lines between reality and fiction in literature.
When I write something, I can't remember in the end if this is a memory or if it's not - I'm talking about fiction. So for me, it's the same thing.
In my experience, when you're writing, you want the truth, and you don't want to be apologetic in any way. But there is something in writing, the complexity of it, that works against that aim.
I'm giving away my family's story. Who owns the family's story? I don't. But you could turn it around and ask, 'Who is to deny me to write my family's story?' I have hurt people, but I don't think in a dangerous way. But you can't tell.
I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
Form is, in a way, death. A novelist's obligation is to break free from the form, even though he knows that this will also be seen as artificial and distanced from life.
I do feel guilty. I do. Especially about my family, my children. I write about them, and I know that this will haunt them as well through their lives. Why did I do that to them?
Every grain of experience is food for the greedy growing soul of the artist.
A drawing is an autobiographical record of one's discovery of an event - either seen, remembered or imagined. A 'finished' work is an attempt to construct an event in itself.
For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
There aren't that many things left that haven't already been done, especially with music. I'm interested in ideas that can shake us all up.
THEATRE HAS THE POWER TO MOVE, INSPIRE, TRANSFORM AND EDUCATE IN WAYS THAT NO OTHER ART FORM CAN. THEATRE REFLECTS BOTH THE EXTRAORDINARY DIVERSITY OF CULTURES AND OUR SHARED HUMAN CONDITION, IN ALL ITS VULNERABILITY AND STRENGTH.
If the King loves music, it is well with the land.
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