In my experience, when you're writing, you want the truth, and you don't want to be apologetic in any way. But there is something in writing, the complexity of it, that works against that aim.
Karl Ove KnausgardRead
When I write something, I can't remember in the end if this is a memory or if it's not - I'm talking about fiction. So for me, it's the same thing.
Interpretation
The boundary between fiction and memory can be blurred for a writer.
In this quote, Karl Ove Knausgard reflects on the intricate relationship between memory and fiction in his writing process. He expresses how the act of creating fictional narratives can lead to uncertainty about whether the events he writes about are based on real memories or purely imaginative constructs, highlighting the subjective nature of storytelling and the complexities of human recollection.
In practice
Discussing the creative process in a writing workshop.
In my experience, when you're writing, you want the truth, and you don't want to be apologetic in any way. But there is something in writing, the complexity of it, that works against that aim.
I'm giving away my family's story. Who owns the family's story? I don't. But you could turn it around and ask, 'Who is to deny me to write my family's story?' I have hurt people, but I don't think in a dangerous way. But you can't tell.
I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
Form is, in a way, death. A novelist's obligation is to break free from the form, even though he knows that this will also be seen as artificial and distanced from life.
When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.
I do feel guilty. I do. Especially about my family, my children. I write about them, and I know that this will haunt them as well through their lives. Why did I do that to them?
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.
and the sad notes floated out to the patio and hung in the trees like birds too tired to fly
Wherever a dancer stands is holy ground.
I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.'
There is only one place to write and that is alone at a typewriter. The writer who has to go into the streets is a writer who does not know the streets. . . when you leave your typewriter you leave your machine gun and the rats come pouring through.
The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
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