My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Sydney PollackRead
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
Interpretation
The quote reflects the idea of creating personal art within mainstream frameworks.
Sydney Pollack expresses a contemplative stance on his career, acknowledging the public perception of his work as being tied to Hollywood and major productions. However, he reveals that despite this perception, he has consistently infused his personal experiences and insights into his films, demonstrating that artistry can thrive even within commercial constraints. This highlights the notion that personal expression can be conveyed through various channels, regardless of the project's scale or recognition.
In practice
In an interview about the complexities of filmmaking.
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
I think a lot of creative people are uncomfortable with therapy. Because you're basically trying to 'solve' the unconscious. And the unconscious is where it all comes from.
I think it's great when stories are dark and strange and weirdly personal.
The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.
Today, although as a whole, the industry is still male-dominated, more women are drawing comics than ever before, and there are more venues for them to see their work in print. In the 1950s, when the comic industry hit an all-time low, there was no place for women to go. Today, because of graphic novels, there's no place for aspiring women cartoonists to go but forward.
No dance has ever turned out the way I thought it would, because I trust enough that I can start something with some ideas and then it takes itself somewhere.
It is through the intentionality of poetic imagination that the poet's soul discovers the opening of consciousness common to all true poetry.
It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.
Subscribe for the occasional hand-picked quote. No noise.