And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
Sydney PollackRead
My strength is with actors. I think I'm good at working with them to get the best performances, at seeing what it is that they have and that the story needs.
Interpretation
Sydney Pollack emphasizes the importance of collaboration with actors to enhance storytelling through performance.
In this quote, Sydney Pollack reflects on his ability to connect with actors and draw out their best performances, highlighting how crucial this collaborative effort is in the realm of filmmaking. He believes that recognizing an actor's strengths and aligning them with the story's needs is essential for creating compelling narratives.
In practice
In a film workshop, discussing how to achieve meaningful performances from actors.
And I taught acting for years, and without knowing it that was the real thing that started bending me toward directing.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
It's my job to motivate the audience to believe. I have to get them to suspend their judgment in favor of involvement.
You hope that the responsibility of making movies will fall into the hands of essentially moral people.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
I think a lot of creative people are uncomfortable with therapy. Because you're basically trying to 'solve' the unconscious. And the unconscious is where it all comes from.
As for the usefulness of poetry, its uses are many. It is the deification of reality.
To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods. This is why the poet in the time of the world's night utters the holy.
I want the ballet world to be given the respect that it deserves and to be seen by more people - for so many to experience the beauty that I've received from the ballet world.
Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.
It is not your paintings I like, it is your painting.
Classical - perhaps I should say 'orchestral' - music is so digital, so cut up, rhythmically, pitchwise and in terms of the roles of the musicians. It's all in little boxes. The reason you get child prodigies in chess, arithmetic, and classical composition is that they are all worlds of discontinuous, parceled-up possibilities.
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